She's helped in her subterfuge by Miles Haley, a friend at the paper who has a secret thing for her. Everyone, it seems, has secrets, including Hill, who must keep his affairs from his wife - her money fuels his lifestyle.
Murder will out? In New York, the investigative reporter Rowena Price sees her scoop about a gay senator spiked by her editor. She quits her job in the newspaper and meets with her childhood friend Grace by chance in the subway.
Grace tells Ro that she had just been dumped by the powerful and wealthy owner of the greatest New Yorker advertising agency, Harrison Hill, and she was threatening to tell his wife about their affair.
After this, she goes to heal the Marconi family with a lethal amount of drugs … but luckily, the Marconis knowing the risks survive and are even able to speak to their late Zach Hal Cumpston to get some closure. Good for them, we guess? Instead, the escapees find Carmel in the sensory deprivation room — and Masha and Yao lock them inside.
Those locked in the room smell smoke and hear the crackling of fire … leading them to believe they're stuck in a fire. But it's just a therapy tactic Masha uses. Everyone is able to get out safely. Delilah Tiffany Boone calls law enforcement, and Masha is arrested. Eventually, he leaves, feeling like it's not his place to bear witness to their pain, and returns to the rest of the group.
In his near-death experience he realizes he made a mistake in his relationship and his ultimate desire is to be a dad. His flash-forward reveals that Lars did indeed reunite with his significant other, became a dad, and also penned a glowing profile of Masha and her wellness techniques for the cover of The New Yorker.
Trigger warning: reference to death by suicide. They each get the closure they needed as Zach tells them its not their fault that he died by suicide and it's time for them to move on and stop mourning. It's painful but transformative, and their flash-forward repeats the first episode's scene of Napoleon, Zoe, and Heather riding in the car together—this time though Heather is driving, and they all look at peace.
Tony and Frances reconcile in the finale, with Frances admitting she was scared to let her emotional guard down. They pack up and decide to leave the wellness resort early, especially after being spooked by Masha's strange behavior, only to rejoin the group to help find Carmel. They get trapped in the fake "fire room" and it only solidifies their feelings for each other and desires to get a house and dog. We also see Frances protecting Masha during police questioning by lying and saying it was her who accidentally locked everyone in the fake fire room.
Frances asks for a pen and some paper and begins to furiously scribble down ideas. The scene is spliced with footage of their fellow strangers' flash-forwards making the audience wonder if these scenes—Jessica and Ben running Tranquillum; Yao and Deliliah joining the Peace Corps; Lars having a baby; Tony and Frances getting that house, dog, and spending time with Tony's estranged kids—are just figments of Frances' writing or actually what came to pass.
I think it was all just in the book. Oh, Masha, where to begin? It will steal your secrets, corrupt your dreams, and co-opt your identity. Because in this world, where you can be anything you want, any one you want, you just might lose sight of who you are.
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